Pro-Q 2 provided EQ matching via the sidechain input. With dynamic mode, you can use the Pro-Q 3, a de-esser, while EQ’ing the rest of the signal in a more traditional fashion. You’re given an intuitive range control to handle the degree of dynamics-processing, though the threshold can be set manually if need be. Attack and release are handled under the hood. You can use this mode to compress or expand a frequency band based on the strength of the incoming signal, much like a multiband compressor. However, Pro-Q 3 offers new features, such as streamlined EQ-matching with other instances of Pro-Q 3, per-band M/S or L/R stereo processing, support for surround sound up to 7.1.2, and a new Dynamic EQ mode.ĭynamic EQ can be implemented on any bell or shelf filter. The familiar and intuitive GUI with 24 clickable bands hasn’t been changed, for example. Many features remain true to the version 2. FabFilter Pro-Q 3 represents the third iteration of the company’s well-regarded equalizer.
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